Pitch, Melody Detection -- Separating Voices in Polyphonic Music: A Contig Mapping Approach -- An Auditory Model Based Approach for Melody Detection in Polyphonic Musical Recordings -- A New Probabilistic Spectral Pitch Estimator: Exact and MCMC-approximate Strategies -- Rhythm, Tempo, Beat -- Determination of Perceptual Tempo of Music -- Source Separation and Beat Tracking: A System Approach to the Development of a Robust Audio-to-Score System -- A Causal Rhythm Grouping -- Music Generation, Knowledge -- Fugue Composition with Counterpoint Melody Generation Using Genetic Algorithms -- Harmonizations of Time with Non Periodic Ordered Structures in Discrete Geometry and Astronomy -- A Self-Organizing Map Based Knowledge Discovery for Music Recommendation Systems -- Music Performance, Rendering, Interface -- Internet Archive of Electronic Music IAEM – internet Audio Rendering System iARS -- Handel, a Free-Hands Gesture Recognition System -- Open and Closed Form in Interactive Music -- Collaborative Computer-Aided Parameter Exploration for Music and Animation -- Music Scores, Synchronization -- Comparing Pitch Spelling Algorithms on a Large Corpus of Tonal Music -- Score-PCM Music Synchronization Based on Extracted Score Parameters -- Towards an Intelligent Score Following System: Handling of Mistakes and Jumps Encountered During Piano Practicing -- Synthesis, Timbre, Musical Playing -- Aspects of the Topology of Interactions on Loop Dynamics in One and Two Dimensions -- Perceptive and Cognitive Evaluation of a Piano Synthesis Model -- The Clarinet Timbre as an Attribute of Expressiveness -- Music Representation, Retrieval -- A Graph Theoretic Approach to Melodic Similarity -- A Content-Based Music Retrieval System Using Representative Melody Index from Music Databases -- Methods for CombiningStatistical Models of Music -- Constraint-Based Melody Representation -- Music Analysis -- Music Segmentation: An XML-oriented Approach -- Evolutionary Optimization of Music Performance Annotation -- Parichaykrama – An Exploratory Interface of Indian Classical Music Using Experiential Framework.

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