Self-Defeating Behaviors [electronic resource] : Experimental Research, Clinical Impressions, and Practical Implications / edited by Rebecca C. Curtis.
Material type:
TextSeries: The Springer Series in Social Clinical PsychologyPublisher: New York, NY : Springer US : Imprint: Springer, 1989Edition: 1st ed. 1989Description: 398 p. online resourceContent type: - text
- computer
- online resource
- 9781461307839
- 616.89 23
- RC466.8-467.97
1 Introduction -- The Omote and Ura of Western Psychology -- Overview of the Chapters in This Volume -- References -- I. How Self-Defeating Behaviors Develop and Persist -- 2 Belief Perseverance and Self-Defeating Behavior -- 3 Self-Fulfilling Prophecies and Self-Defeating Behavior -- 4 Trying and Giving Up: Persistence and Lack of Persistence in Failure Situations -- II. Self-Defeating Responses to the Threat of Unpleasant Outcomes -- 5 Excuses Gone Awry: An Analysis of Self-Defeating Excuses -- 6 Making Things Harder for Yourself: Pride and Joy -- 7 Fear of Success -- 8 Choosing to Suffer or to…? Empirical Studies and Clinical Theories of Masochism -- 9 Toward an Understanding of Self-Defeating Responses Following Victimization -- 10 Learned Helplessness -- III. When Situational Responses Become Personality Dispositions -- 11 Self-Handicapping Behavior and the Self-Defeating Personality Disorder: Toward a Refined Clinical Perspective -- 12 Controversies Concerning the Self-Defeating Personality Disorder -- 13 The Paradox of the Self: A Psychodynamic and Social-Cognitive Integration -- IV. Conclusions -- 14 Integration: Conditions under Which Self-Defeating and Self-Enhancing Behaviors Develop -- Author Index.
In the desert I saw a creature, naked, bestial, Who, squatting upon the ground, Held his heart in his hands. And ate of it. I said: "Is it good, friend?" "It is bitter-bitter," he answered; But I like it Because it is bitter, And because it is my heart. " Stephen Crane The Black Riders and Other Lines "It is the function of great art to purge and give meaning to human suffering," wrote Bernard Knox (1982, p. 149) in his introduction to Oedipus Rex. This is done by showing some causal connection between the hero's free will and his suffer ing, by bringing to the fore the interplay of the forces of destiny and human freedom. Knox states that Freud was wrong when he suggested that it was "the particular nature of the material" in Oedipus that makes the play so deeply moving, and not the contrast between destiny and human will. Knox believes that this play has an overpowering effect upon us, not only because we share the tendency of Oedipus to direct" our first sexual impulse towards our mother" and "our first murderous wish against our father," as Freud tells us, but also because the theological modification of the legend introduced by Sophocles calls into question the sacred beliefs of our time (Knox, 1982, pp. 133-137).
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