Kleist in France

By: Contributor(s): Material type: ArticleSeries: Publication details: Chapel Hill University of North Carolina Press 1962Description: 1 electronic resource (224 p.)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
Subject(s): Online resources: Summary: From Madame de Staël, Dumas, and Taine, to Giraudoux, Adamov, Ionesco, and the existentialists, this study provides a fascinating account of the progress of Kleist's reception in France from complete rejection in 1807 to spectacular critical and public acclaim in the 1950s. Richardson argues that Kleist's success in France disproves the traditional idea that his work is "unexportable" and shows the conditions that led to his positive reception outside Germany.
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From Madame de Staël, Dumas, and Taine, to Giraudoux, Adamov, Ionesco, and the existentialists, this study provides a fascinating account of the progress of Kleist's reception in France from complete rejection in 1807 to spectacular critical and public acclaim in the 1950s. Richardson argues that Kleist's success in France disproves the traditional idea that his work is "unexportable" and shows the conditions that led to his positive reception outside Germany.

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Funded by: Andrew W. Mellon Foundation

Funded by: National Endowment for the Humanities

Creative Commons Licence https://creativecommons.org/licenses/by-nc-nd/4.0/ by-nc-nd cc

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