Cyberpunk in a Transnational Context
Material type:
ArticlePublication details: MDPI - Multidisciplinary Digital Publishing Institute 2019Description: 1 electronic resource (122 p.)Content type: - text
- computer
- online resource
- 9783039214211
- 9783039214228
- The Arts
- Film, TV & radio
- Films, cinema
- 2000s
- Blade Runner
- European cinema
- Germany
- Guerrilla Games
- Horizon
- HyperCard
- Hyperart Thomasson
- Japanese science fiction
- Kowloon Walled City
- Lo Tek
- MONDO 2000
- Marshall McLuhan
- Masaki Gor?
- Metropia
- Pattern Recognition
- Renaissance
- SCAN
- Timothy Leary
- Tobi Hirotaka
- United States
- Walter Benjamin
- William Gibson
- YLEM artists using science and technology
- Zero Dawn
- animation
- animatism
- audience
- bOING bOING
- care
- cinematism
- co-productions
- collage
- comics
- cyberpunk
- detritus
- dystopia
- end of history
- extraterritorial
- flattened screens
- fractal space
- genre
- global capitalism
- intertextuality
- layers
- manga
- nostalgia
- nuclear politics
- outlaw technologist
- participatory aesthetics
- post-apocalyptic narrative
- post-utopia
- proscenium views
- reception history
- science fiction
- techno-Orientalism
- translation
- transnational cinema
- virtual idol
- virtual reality
- virtual worlds
- visuality
- "rich sight"
Open Access Unrestricted online access star
Mike Mosher's "Some Aspects of Californian Cyberpunk" vividly reminds us of the influence of West Coast counterculture on cyberpunks, with special emphasis on 1960s theoretical gurus such as Timothy Leary and Marshall McLuhan, who explored the frontiers of inner space as well as the global village. Frenchy Lunning's "Cyberpunk Redux: Dérives in the Rich Sight of Post-Anthropocentric Visuality" examines how the heritage of Ridley Scott's techno-noir film
Creative Commons Licence cc by-nc-nd cc https://creativecommons.org/licenses/by-nc-nd/4.0/
eng
Freely available e-book