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The artistic heritage of the convents and monasteries of our country is currently one of the great challenges of society. The transformations that it has experienced since the end of the 18th century have led to a loss and dispersion of the same whose study must be faced with the rigor that deserves a historical legacy of enormous proportions. The memory of these spaces is erected as a testimony of faith, art and devotion, yearnings, sponsors and artists, which intertwine the vicissitudes of those who inhabited these walls. In this sense, the present book includes various investigations that address fundamental issues to understand the convent dematerialization process, all of them framed in the development of the R & D & I «of the confiscation to self-disagreement: from fragmentation to the Protection and management of the movable property of the Catholic Church.Narration from the periphery », funded by the Ministry of Science and Innovation of the Government of Spain.

Funded by: Ministerio de Ciencia, Innovación y Universidades

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