Revolutionary Stagecraft Theater, Technology, and Politics in Modern China
Materialtyp:
ArtikelUtgivningsinformation: University of Michigan Press 2024Beskrivning: 1 electronic resource (339 p.)Innehållstyp: - text
- computer
- online resource
- 9780472056569
- 9780472076567
- The Arts
- Performing arts
- Theatre studies
- Theatre: technical and background skills
- Television
- History and Archaeology
- History
- Asian history
- A The Arts
- AT Performing arts
- ATD Theatre studies
- ATDH Theatre
- ATJ Television
- China!
- Chinese culture
- Chinese drama
- Chinese literature
- Chinese theater
- Dongfanghong
- Fantasia of the Ming Tombs Reservoir
- Hongdeng ji
- Jialilüe zhuan
- Leiyu
- Life of Galileo
- N History and Archaeology
- NH History
- NHF Asian history
- Nihongdeng xia de shaobing
- Nuhou ba
- Roar
- Sentinels Under the Neon Lights
- Shisanling shuiku changxiangqu
- The East is Red
- The Red Lantern
- Thunderstorm
- Zhongguo!
- huaju
- lighting
- model operas
- modern China
- politics
- propaganda
- revolution
- revolutionary politics
- scenography
- special effects
- spoken drama
- stage equipment
- stage technology
- technical and background skills
- technical theater
- technics
- technology
- theater architecture
- theater design
- theater history
- thema EDItEUR
- yangbanxi
Open Access Unrestricted online access star
Revolutionary Stagecraft draws on a rich corpus of literary, historical, and technical materials to reveal a deep entanglement among technological modernization, political agendas, and the performing arts in modern China. This unique approach to Chinese theater history combines a close look at plays themselves, performance practices, technical theater details, and behind-the-scenes debates over "how to" make theater amid the political upheavals of China's 20th century. The book begins at a pivotal moment in the 1920s—when Chinese theater artists began to import, use, and write about modern stage equipment—and ends in the 1980s when China's scientific and technological boom began. By examining iconic plays and performances from the perspective of the stage technologies involved, Tarryn Li-Min Chun provides a fresh perspective on their composition and staging. The chapters include stories on the challenges of creating imitation neon, rigging up a makeshift revolving stage, and representing a nuclear bomb detonating onstage. In thinking about theater through technicity, the author mines well-studied materials such as dramatic texts and performance reviews for hidden technical details and brings to light a number of previously untapped sources such as technical journals and manuals; set design renderings, lighting plots, and prop schematics; and stage technology how-to guides for amateur thespians. This approach focuses on material stage technologies, situating these objects equally in relation to their technical potential, their human use, and the social, political, economic, and cultural forces that influence them. In each of its case studies, Revolutionary Stagecraft reveals the complex and at times surprising ways in which Chinese theater artists and technicians of the 20th century envisioned and enacted their own revolutions through the materiality of the theater apparatus.
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Creative Commons Licence cc by-nc cc https://creativecommons.org/licenses/by-nc/4.0/
eng
Freely available e-book