The Limits of Art On Borderline Cases of Artworks and their Aesthetic Properties
Materialtyp:
ArtikelSerie: Utgivningsinformation: Springer Nature Springer [Imprint] 2021Beskrivning: 1 electronic resource (57 p.)Innehållstyp: - text
- computer
- online resource
- The Arts
- The Arts: art forms
- Philosophy and Religion
- Philosophy
- Philosophical traditions and schools of thought
- Western philosophy from c 1800
- Analytical philosophy and Logical Positivism
- Topics in philosophy
- Philosophy: aesthetics
- A The Arts
- AF The Arts
- Aesthetics
- Analytic Philosophy
- Analytical philosophy & Logical Positivism
- Art and Philosophy
- Art and Photography
- Fine Art
- Fine Arts
- Fine arts
- Gustatory art
- Intellectual art
- Non-visual and non-auditory artworks
- Olfactory art
- Open Access
- Philosophy
- Proprioceptive art
- Q Philosophy and Religion
- QD Philosophy
- QDH Philosophical traditions and schools of thought
- QDHR Western philosophy from c 1800
- QDHR9 Analytical philosophy and Logical Positivism
- QDT Topics in philosophy
- QDTN Philosophy
- Sensory dependence
- Types of art
- Visual art
- aesthetics
- analyzing paintings and photographs
- art forms
- borderline cases of art
- thema EDItEUR
- vague limits between painting and photography
Open Access Unrestricted online access star
This open access book is about exploring interesting borderline cases of art. It discusses the cases of gustatory and olfactory artworks (focusing on food), proprioceptive artworks (dance, martial arts, and rock climbing qua proprioceptive experiences), intellectual artworks (philosophical and scientific theories), as well as the vague limits between painting and photography. The book focuses on the author's research about what counts as art and what does not, as well as on the nature of these limits. Overall, the author defends a very inclusive view, 'extending' the limits of art, and he argues for its virtues. Some of the limits discussed concern our senses (our different perceptual modalities), some concern vagueness and fuzzy boundaries between different types of works of art, some concern the amount of human intention and intervention in the process of creation of an artwork, and some concern the border between art and science. In these various ways, by understanding better such borderline cases, Benovsky suggests that we get a better grip on an understanding of the nature of art.
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Creative Commons Licence cc by cc http://creativecommons.org/licenses/by/4.0/
eng
Freely available e-book