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Üble Dinge: Materialität und Fetischismus in der Prosa Paulus Hochgatterers
Materialtyp:
ArtikelUtgivningsinformation: transcript Verlag [Imprint] 2022Innehållstyp: - text
- computer
- online resource
- 978-3-8376-5198-0
- 9783839451984
- Biography, Literature and Literary studies
- Literature: history and criticism
- Literary studies: general
- Fiction and Related items
- Fiction: general and literary
- Modern and contemporary fiction: general and literary
- Society and Social Sciences
- Psychology
- Psychological theory, systems, schools and viewpoints
- Psychoanalytical and Freudian psychology
- Psychology: sexual behaviour
- Politics and government
- Political ideologies and movements
- Far-left political ideologies and movements
- Philosophy and Religion
- Religion and beliefs
- Religion: general
- History of religion
- Cultural studies
- D Biography
- DS Literature
- DSB Literary studies
- Ethnographie
- F Fiction and Related items
- FB Fiction
- FBA Modern and contemporary fiction
- Fetischismus
- German studies
- Germanistik
- History of literature
- History of science
- J Society and Social Sciences
- JM Psychology
- JMA Psychological theory
- JMAF Psychoanalytical and Freudian psychology
- JMU Psychology
- JP Politics and government
- JPF Political ideologies and movements
- JPFC Far-left political ideologies and movements
- Kultur
- Kulturwissenschaft
- Literatur
- Literature and Literary studies
- Literaturgeschichte
- Literaturwissenschaft
- Marx'sche Warenökonomie
- Marxian commodity economy
- Paulus Hochgatterer
- Psychoanalyse
- Q Philosophy and Religion
- QR Religion and beliefs
- QRA Religion
- QRAX History of religion
- Wissenschaftsgeschichte
- cultural studies
- culture
- ethnography
- fetishism
- general
- general and literary
- history and criticism
- literary studies
- literature
- psychoanalysis
- schools and viewpoints
- sexual behaviour
- systems
- thema EDItEUR
- ÖFOS 2012
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Bernhard Oberreither analyzes in the context of historical and contemporary fetish discourses how supposedly innocent things often turn out to be the key to the enigmatic structure of Paulus Hochgatterer's texts, and how his texts can be read at the same time as a highly reflected commentary on the always precarious, suspicious, sometimes »corrupt« (Hartmut Böhme) relationship of man to his things.
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