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This essay aims to analyse the representations of the body in Luigi Meneghello's literary production, specifically focusing on three aspects: the materiality of language and the morphological ontology of thought; corporeal representation of geographical spaces; posthuman condition and biomechanical hybrids. It follows that the «DNA del reale», which has always been a structuring force behind the writer's epistemological drive, resides in a dense materiality, composed of flesh, which can also be examined through philosophical currents of phenomenology.

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