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Hrvatska u Srednjoj Europi. Kulturni transferi između dvaju svjetskih ratova. Zbornik u spomen Julija Benešića

Av: Medverkande: Materialtyp: ArtikelUtgivningsinformation: Warsaw University of Warsaw Press 2024Beskrivning: 1 electronic resource (222 p.)Innehållstyp:
  • text
Medietyp:
  • computer
Bärartyp:
  • online resource
ISBN:
  • 978-83-235-6415-7
Ämnen: Onlineresurser: Sammanfattning: Julije Benešić (1883–1957) was a Croatian writer, essayist, translator and, in the interwar period, a cultural activist and emissary of the Kingdom of Yugoslavia to Poland, where he, among other activities, he taught the first Croatian language course at the University of Warsaw. To this day he remains the most prolific translator of Polish literature into Croatian. The papers comprising this volume are based on presentations given at a conference commemorating Benešić, but are not mere reminiscences. They put the life and work of Benešić, as well as his entire generation, in the perspective of the cultural exchange taking place in Central Europe since the times of the Austro-Hungarian monarchy. The aim of the articles presented in the monograph is to analyse the changes in cultural and social practices that occurred in the area after 1918. No culture exists in a vacuum, and in the case of the polycentric states of interwar Central Europe the question about directions of cultural transfers seems crucial.
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Julije Benešić (1883–1957) was a Croatian writer, essayist, translator and, in the interwar period, a cultural activist and emissary of the Kingdom of Yugoslavia to Poland, where he, among other activities, he taught the first Croatian language course at the University of Warsaw. To this day he remains the most prolific translator of Polish literature into Croatian. The papers comprising this volume are based on presentations given at a conference commemorating Benešić, but are not mere reminiscences. They put the life and work of Benešić, as well as his entire generation, in the perspective of the cultural exchange taking place in Central Europe since the times of the Austro-Hungarian monarchy. The aim of the articles presented in the monograph is to analyse the changes in cultural and social practices that occurred in the area after 1918. No culture exists in a vacuum, and in the case of the polycentric states of interwar Central Europe the question about directions of cultural transfers seems crucial.

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