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In part by limiting the myth to its concrete reality, and in part because, as Pasolini wrote, "the letura di Campana if it transforms in one Spetro Di Campana Stessso", the author carries out a careful biography based on the documents;establishing the relationships he maintained with the other writers of his time and, above all, doing a study on the "bell legend", because, despite how much has been spoken, no systematic study of the elements does not exist to datethat compose it. To achieve this objective, the author takes into account that in Campana an inverse process has been developed to that of most poets: rather than trying to understand their poetry through their biographical experience, it has been intended to fill the existing gaps in their lifewith texts from his work. This is dangerous as long as it is forgotten that poetry is creation work and, as such, it owes its existence to both the author's personal experience and its imagination, its creativity, its particular way of seeing life, its hopes; Not in vain he titled his work Canti Opfici, Orphism, world of sleep and imaginary, ethereal.

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