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In contrast to the divide between conception and execution advocated by Anglo-American artists in the second half of the 1960s, this book reappraises conceptual art by examining it from the perspective of craft. Furthermore, it contributes to reshaping the notion of conceptual art, ultimately presenting it as an ongoing reflection on the roles of the hands, making, and craft.

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Funded by: Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung

Creative Commons Licence cc by cc https://creativecommons.org/licenses/by/4.0

eng

Freely available e-book