South End Shout Boston's Forgotten Music Scene in the Jazz Age
Materialtyp:
ArtikelUtgivningsinformation: Lever Press 2023Beskrivning: 1 electronic resource (258 p.)Innehållstyp: - text
- computer
- online resource
- 9781643150475
- American Federation of Musicians Local 9
- Aram "Al Vega" Vagramian
- Armando "Chic" Corea
- Benny Waters
- Black History Project
- Bobby Sawyer
- Boston Colored Musicians Union
- Boston Tigers Baseball Club
- Casino
- Casper Gordon Studios
- Charles Waldron
- Charlie Holmes
- Clarence Cameron White
- Colored Knights of Pythias Temple
- Community Service
- Copley Plaza Hotel
- Cotton Club
- Duke Ellington
- Edward "Sonny" Stitt
- Fat Man Robinson
- Frankie Newton
- Frederick Douglass Square
- Gaiety Theater
- George Broome
- George Wein and Storyville
- Harmony Shop
- Harry Carney
- Harry Hicks
- Herbert Wright
- Hi-Hat
- Hotel Westminster Jazz
- James Reese Europe
- James Vaughn
- Jazz Band
- Jean Goldkette
- Jenkins Orphanage Band
- Johnny Hodges
- League of Women
- Leo Reisman
- Leroy Curtis
- Local 535
- Lower Roxbury
- Mabel Robinson Simms
- Madison Park
- Mae Arnette
- Mal Hallett
- Malcolm X
- Max Kaminsky
- Mechanics Hall
- Metropolitan Theatre
- Nat Hentoff
- Nuncio "Toots" Mondello
- Orchestra
- Paul Whiteman
- Pickwick Club
- Preston Sandiford Society
- Professional and Business Men's Club
Open Access Unrestricted online access star
South End Shout: Boston's Forgotten Music Scene in the Jazz Age details the power of music in the city's African American community, spotlighting the era of ragtime culture in the early 1900s to the rise of big band orchestras in the 1930s. This story is deeply embedded in the larger social condition of Black Bostonians and the account is brought to life by the addition of 20 illustrations of musicians, theaters, dance halls, phonographs, and radios used to enjoy the music. South End Shout is part of an emerging field of studies that examines jazz culture outside of the major centers of music production. In extensive detail, author Roger R. House covers the activities of jazz musicians, jazz bands, the places they played, the relationships between Black and white musicians, the segregated local branches of the American Federation of Musicians (AFL-CIO), and the economics of Boston's music industry. Readers will be captivated by the inclusion of vintage local newspaper reports, classified advertisements, and details of hard-to-access oral history accounts by musicians and residents. These precious documentary materials help to understand how jazz culture evolved as a Boston art form and contributed to the national art form between the world wars. With this book, House makes an important contribution to American studies and jazz history. Scholars and general readers alike who are interested in jazz and jazz culture, the history of Boston and its Black culture, and 20th century American and urban studies will be enlightened and delighted by this book.
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eng
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