The B&C Kinematograph Company and British Cinema Early Twentieth-Century Spectacle and Melodrama
Materialtyp:
ArtikelSerie: Utgivningsinformation: Exeter University of Exeter Press 2021Beskrivning: 1 electronic resource (448 p.)Innehållstyp: - text
- computer
- online resource
- 9781905816651
- 9781905816668
- Place qualifiers
- Europe
- Western Europe
- United Kingdom, Great Britain
- Time period qualifiers
- c 1500 onwards to present day
- 20th century, c 1900 to c 1999
- The Arts
- Performing arts
- Films, cinema
- Society and Social Sciences
- Society and culture: general
- Cultural and media studies
- Media studies
- Economics, Finance, Business and Management
- Industry & industrial studies
- Media, entertainment, information and communication industries
- Film, TV and Radio industries
- History and Archaeology
- 1 Place qualifiers
- 1D Europe
- 1DD Western Europe
- 1DDU United Kingdom
- 3 Time period qualifiers
- 3M c 1500 onwards to present day
- 3MP 20th century
- A The Arts
- AT Performing arts
- ATF Films
- Britain
- British
- Business and Management
- Finance
- Great Britain
- J Society and Social Sciences
- JB Society and culture
- JBC Cultural and media studies
- JBCT Media studies
- K Economics
- KN Industry and industrial studies
- KNT Media
- KNTC Film
- N History and Archaeology
- TV and Radio industries
- c 1900 to c 1999
- cinema
- cinematography
- entertainment
- film
- general
- history
- information and communication industries
- media
- melodrama
- spectacle
- thema EDItEUR
Open Access Unrestricted online access star
This book sheds new light on the under-researched period of early British cinema through an in-depth history of the British and Colonial Kinematograph Company – also known as 'B&C'– in the years 1908-1916, the period when it became one of Britain's leading film producers. It provides an account of its films and personalities, and explores its production methods, business practices and policy changes. Gerry Turvey examines the range of short film genres B&C manufactured, including newsworthy topicals and comics, and series dramas, and how they often drew on the resources of urban Britain's existing popular culture – from cheap reading matter to East End melodramas. He discusses B&C's first open-air studio in East Finchley, its extensive use of location filming, and its large, state-of-the-art studio at Walthamstow. He also investigates how the films were photographed and 'staged', their developing formal properties, and how the choice of genres shifted radically over time in an attempt to seek new audiences.
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Creative Commons Licence cc by-nc-nd cc https://creativecommons.org/licenses/by-nc-nd/4.0/
eng
Freely available e-book